Blog

  • Why do Bron haters discredit his finals appearances saying they are ‘participation trophies’? Do we discredit silver medals in the Olympics?

    Bron haters are idiots.

    It’s no more or less than that, they don’t understand how sports works. They think that if you are not #1 and didn’t win a championship or a gold medal, then you suck and might as well have not competed at all.

    Well in Bron’s case it’s even worse than that because losing in the Finals is apparently even worse than not making the playoffs since Bron haters only count Finals losses as ‘real’ losses.

    The Finals record debate like saying it’s better to not make the Olympics than to have a silver medal.

    Basically that’s what they are implying with the Finals record BS argument. And it’s unfortunate that so many people online use this argument, because it’s absolutely terrible argument and completely illogical and against why people play sports. You play for a chance to win. You can’t just not participate because you are afraid of not coming in first, or not winning gold.

  • Why are Chinese Americans divided over Eileen Gu and Alysa Liu in the Winter Olympics?

    (speaking as a Chinese-Canadian observer)

    From what I’ve seen online, it’s not so much Chinese-Americans that are divided (in fact most Asian Americans I know are just happy that Asians are doing so well at the Winter Olympics particularly Asian females and Asian American females like Chloe Kim, Eileen Gu, Alysia Liu etc)

    It’s more Americans in general and in particular the right and MAGA that’s been quite vocal about the split.

    I often heard this said about them

    In a world of Gu’s, be a Liu

    (yes they mispelled Alysia’s last name here, it’s Liu)

    They often contrast the two against each other – Gu as this ‘priviledged’ greedy traitor who defected to China for money and Liu as the ‘All-American’ patriotic daughter of a Chinese dissident who chose her country over wealth.

    It’s not quite this black and white and it’s very exagerrated. In fact, they have quite a bit in common with each other:

    • Both are obviously child prodigies at their sport who were world class athletes by the time they were teens
    • Both were raised by single Chinese parents – Gu by a single mother, Liu by a single father
    • Both are mixed Caucasian / Asian
    • Both are from the San Francisco Bay Area
    • Both are contemporaries and differ by only 2 years
    • Both are from all accounts, on friendly terms with each other

    The only reason why Conservatives online have pitted the two against each other is almost soley due to Eileen choosing to compete with China, a country they see as ‘evil’ and ‘anti American’. But Eileen shouldn’t be singled out like this.

    Didn’t Becky Hammon play for Russia for 2 Olympics? And nobody had an issue with it? Despite it being Russia, a historically anti American country?

    What’s the big issue with China? I am willing to bet the people who dislike or hate China so much have never set foot there and actually been in that country. I was in China traveling just a few weeks ago and it has far more freedom than people think. Seriously Americans think China is like North Korea or something. I could drink beer outside on the street in China – something I couldn’t do in Vancouver, Canada where I live. I could sit anywhere outside – something I couldn’t do when I was traveling in Tokyo (officers warn me if I try to do). So I think people’s impressions of China being some sort of dictatorship like country is totally off the mark.

    So what’s the issue with Eileen playing for China anyways? Doing it for money – well isn’t that the most capitalist / American reason possible?

    The real irony of Alysia being so worshipped by MAGA is that she fits the stereotypical California liberal they often make fun of in memes to a T with that dyed hair and piercings and ‘rebellious’ look. Conservatives are literally gaslighting themselves to like Alysia due solely to the fact that they hate Eileen more which is ridiculous and comical.

    My personal thoughts: Both deserve their praise, both deserve their respect, they are both equally talented ahletes of their generation. Don’t hate or single out Eileen just because she chooses to play for a country you dislike (for irrational reasons I would say).

  • Acoustune HS2000MX MKIII review

    A high resolution detail monster with tunable modules
    ProsIncredible build
    Tunable modules
    Summit fi level details and resolution
    Some of the best treble you will hear
     
    ConsPricey
    Modules are also expensive
    Fit can be tricky due to the size and design
    Might still be considered a bit overly bright to some
     
    The Acoustune HS2000MX MKIII is the third iteration of Acoustune’s flagship and it opts for a slightly more balanced tuning compared to the treble focused super bright MK1/MK2. It is a single DD IEM that retails for $3000 USD. My source used for review is the Lotoo Paw Gold Touch.

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    The packaging impresses with a nice Japanese wood box (Japanese sure love their wood!),thick copper cable, leather case and 12 pairs of eartips – which Acoustune is well regarded for making.

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    Unlike most IEMs, the Acoustune has swappable modules – it comes stock with the ACT47 silver module.

    Bass:
    The bass has got good punch and depth to it and decent subbass extension. It won’t wow bassheads as it’s not so much in quantity, but it’s not too lean either. It’s probably got the right amount of bass where it’s enough to feel the texture, without overdoing it.

    Mids:
    The mids are decent and well detailed, they do not sit too far behind the mix nor are they too forward, they are probably neutral in where they sit in the mix and Acoustune does a good job of showing off their mids without making it too shouty or in your face

    Treble:
    The treble has lots of good energy and are a bit on the bright side. You can tell the HS2000MX heritage from MK1/MK2 here as it retains the detailed resolving treble from those but unlike MK1/MK2 it doesn’t push it too forward or sound too harsh, but reins it back just a little bit to where it doesn’t get too fatiguing. For this reason, I much prefer the treble on MK3 the best.

    Technicals:
    Above average soundstage width and height – on par with some $4k IEMs like Multiverse Mentor or Forte Macbeth. Details (esp in the treble) are top notch – think Noble Viking Ragnar level. You cannot say anything but that HS2000MX MKIII has top tier technicals.

    Overall, Acoustune has released their best tuned HS2000MX yet, and for those who are looking for a nice upgrade to Mysticraft Myth (except with better mids and technicals) should check this out, or alternatively those looking for Noble Viking Ragnar or 64 Tia Fourte but without as much of a treble peak and same detailed technicalities can give it a listen. It’s a unique looking IEM with swappable modules, built like a tank and has top tier technicalities and detail. Definitely one of the Japanese IEMs to keep an eye out on for summit fi level.
  • ICELAB Spectrumica review

    A very solid all around slightly energetic performer for the price
    ProsDeep subbass depth and midbass slam
    good vocal texture without being too forward
    energetic treble without being too harsh
     
    Conssoundstage could be wider
    mid bass and upper mids could be a bit too ‘polite’ for some
     
    This is an IEM that got a decent amount of hype online last year and it’s IceLabs flagship from an HK company that not many knew about. It’s an 8 driver 1DD, 1BCD, 4BA, 2EST implementation with alot of custom drivers in it. It retails for $2000 USD. I drove the Spectrumica (which requires a bit more power than your typical IEM, similar to Myth) with a Lotoo Paw Gold Touch using the bundled mica cable.

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    It’s got nice packaging with a solid aluminum carrying case with a unique design, a solid metal certificate card, IEM sock, lanyard, microfiber cloth and 8 pairs of eartips.

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    The IEM itself is very solid with aluminum shell and a unique speaker woofer like structure on the faceplate.

    Bass:

    The bass of Spectrumica is very nicely textured and detailed and has good subbass extension. It definitely has more sub bass than mid bass with the mid bass feeling a bit polite and restrained.

    Mids:

    Mids are not forward but rather laid back especially for people coming from IEMs with the elevated upper mids, however it doesn’t mean the mids are recessed and instead you’ll still notice good detail and layering with the mids as well. It’s not necessarily the most noticeable part of this IEM and some might find the mids a bit too ‘polite’ but there’s no denying the quality of the mids is there, just restrained.

    Treble:

    The treble leans energetic and has a lot of clarity and detail but at the same time doesn’t sound too harsh or fatiguing. Another way to say it is that if you take one of those ‘polite’ ‘safe’ IEMs like FiiO FX17 or UM Mest Jet Black with more balanced tuning and you add just a *hint* more treble energy to them, then that’s what Spectrumica has. It has just the right amount of treble without sounding harsh or fatiguing.

    Technicalities:
    Soundstage is probably a weaker part of this IEM as it sounds like a typical $2k IEM soundstage width. Now it’s not overly narrow or anything, but the soundstage won’t wow people if they are used to other $2k IEMs. Tia Trio for just a bit more has noticeably wider soundstage for example. Detail and resolution are some of the best on a $2k IEM so it’s got very good resolving ability for its price.

    Overall, this is a very well tuned IEM and decent technicalities that should please most people. It’s somehow an IEM that feels like it’s not too boring but also doesn’t try to be too exciting (like Mysticraft Myth or IE900) at the same time. That’s an interesting balance that I don’t commonly find in many IEMs and for that I have to say this is one of the best listens I’ve had for a $2k IEM.
  • Shure KSE1200 review

    Endgame level IEM… if you EQ it right
    Prostrue EST texture across all frequencies
    endgame technicalities
     
    Consstock tuning is very harsh and peaky
    stock tuning has very lean bass
     
    Shure KSE1200 is the same as KSE1500 except without the built in DAC. It’s cheaper than the KSE1500 and retails for $2000 USD instead of $3000 and comes with the same EST driver and same configuration. The amp is slightly different than the KSE1500 one as it contains no DAC, just a line in input, volume control and a ‘padding’ switch that I usually have to set to -10db otherwise it will sound distorted. I use Astell Kern SP3000M in line out mode as my source and AudioQuest Golden Gate 3.5mm interconnect.

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    The IEMs themselves look like Shure’s typical shell casing which is an older IEM style that Ultimate Ears and Westone both used as well, they don’t fit the same way as modern IEMs and also use their own propietary cable as well. Tips won’t work with most modern tips as these have a much smaller nozzle. I used the stock olive green tips.

    Bass:

    On stock tuning, the bass is very lean and barely noticeable. It lacks presence and refinement and so in the stock tuning I would say the bass is not very good.

    Mids:

    The mids are actually recessed in the upper mids which is contrary to how alot of modern IEMs are tuned nowadays. The stock tuning is strange in that aspect so vocals might sound a bit off to people. The lower mids are relatively more forward than the upper mids, kind of a strange imbalance.

    Treble:

    The treble is quite harsh and peaky in the stock configuration and nearly unlistenable for me as I feel fatigued easily if an IEM has peaky treble.

    Technicalities:
    Here’s the thing – the KSE1200/1500 has absolutely endgame technicalities as I can experience the smooth, velvelty rich texture of a true EST driver, and incredible enveloping holographic soundstage. It’s just let down by the tuning.

    So what to do? Many people online recommend EQ’ing it to make the most of the technicalities.

    So I EQ’d it with the SP3000M.

    I have the following settings for EQ on my SP3000M:

    30hz 2db
    45hz 1db
    60hz 1db
    90hz 1db
    120hz 2db
    180hz -5db
    250hz -2db
    380khz 0db
    500hz 1db
    750hz 1db
    1khz -1db
    1.5khz -1db
    2khz -4db
    3khz 2db
    4khz 4db
    6khz 0db
    8khz -5db
    12khz -3db
    14khz -1db

    And wow.. let me tell you that this IEM after EQ is absolutely endgame material. Now the subbass is there, the bass is more balanced, the mids are more smoothed out and balanced, the treble spike is gone… now it’s just pure bliss. Now you have endgame technicalities with very good tuning too thanks to EQ.

    So how do I rate this IEM? Well stock tuning I would have given it 2 out of 5 because the stock tuning is nearly unlistenable but it still had endgame technicalities. If you EQ it then it’s a different story.. then it becomes a near perfect IEM because now you have those great technicalities but the tuning isn’t off anymore. So I went with a compromise and gave this 3.5 / 5.

    Basically.. stock tuning I do not recommend it, but if you have the patience to EQ it, it is hands down one of the best IEMs I’ve ever heard with that rich silky smooth EST texture and enveloping soundstage to it.
  • TANSIO MIRAI Halo review

    This is your mini Trailli
    ProsIncredible mid presence and detail
    Excellent treble extension and presentation
     
    Consbass is lacking in punch, quantity and depth
    average technicalities for the price point
     
    Halo is TSMR’s previous co-flagship along with RGB – their current flagship is RGB2. It is a 12 driver 8BA, 4EST IEM that retails for $2000 USD. I drove this using the Lotoo Paw Gold Touch and tried both the stock SPC cable as well as the Vortex Nadia cable with it.

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    Halo comes with a nice leather case, a SPC cable and 9 pairs of silicon eartips. The design of the IEM itself is ok, it’s translucent with the font being a clear reference to the Halo video games in my opinion.

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    Bass:

    The Halo’s bass is quite anemic, it doesn’t have quite the depth or slam of a dynamic driver, nor does it have much quantity or subbass extension. It’s just… there but barely there, if you know what I mean.

    Mids:

    This is the best part of the Halo in my opinion as it has incredible depth, presence and body in the mids. Vocals just bloom on this IEM and remind me of the much more expensive Oriolus Trailli and Aroma Jewel in its character.

    Treble:

    The treble is quite good, although not very elevated, it has good treble extension and doesn’t sound harsh or fatiguing, it complements the beautiful mids.

    Technicalities:
    Soundstage and detail are about average from the $2k price point but that’s fine, I think it’s still very good for what it is.

    Everything is open, still technical, great details, good vocal emotion, and treble, the treble is sounding fantastic, like how good lower and upper treble should sound like. No gimmicks, no over boosting, its airy and sweet. Just the way it should be. Same with upper mids, smooth and sweet. Bass is a very weak link, technicalities are good in some aspects, but poor or average for other aspects. The width is pretty much on par with most $2000 iems, depth is average, height is average. Imaging is above average but not on the world stage level. Still for the driver tech. and price, this smokes a lot of iems at its price point. Note weight and density are just a tiny bit thin for my preference. Tactility and 3D presentation is missing that the Jewel creates. Air control is not there. However this is for sure at least 70% of Oriolus Trailli for 1/3rd the price in terms of tonality.

    Overall for $2k this IEM is somewhat of a specialist – a vocal specialist and a mids specialist. It doesn’t have much bass to speak of, but it has very beautiful Trailli-like mids and decent airy treble presence. Basically – this is not your energetic IEM, but if you love mids and vocals and you want to get a reasonable facsimile of the vaunted $6k Oriolus Trailli (roughly 70% of it at least) for 1/3rd the price, this is your IEM.