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Tips on improving guitar tone, equipment

Jimi Hendrix

Jimi Hendrix

Alright, a break from politics for a while. Since I’m one of the rare Asians that can play guitar better than piano, some ask me for improving their tone on guitar.
Well, there’s several key guidelines to follow.

Firstly, tone is subjective. What kind of tone do you want? Hendrix? Metallica? Slash? Those all have very different tones. Personally though, my tone tends to go somewhere in between Jimi Hendrix and John Mayer with a bit of Eric Clapton on the side. Though I do play blues, it’s not the overwound, in your face, Stevie Ray Vaughan type. For this reason, I tend to play clean alot. Here is an overview of what equipment I use and what tips I can give people:

1) Amplifier: Your amplifier is probably what constitutes most of your tone. I recommend a good tube amp, because tubes sound more natural and organic than solid state, plus they can be driven louder. However, tube amps are pretty expensive. That’s why I suggest starting out with a solid state amp and then progressing to a tube amp. Good tube amps for clean tone include Fender Twin Reverb, as well as Fender Vibroverb, Fender Bassman, or any other Fender amplifier. Vox are also a good choice for that British sound. If you are looking for a more boutique amp, try Victoria Amp. I personally use a Traynor YCV20.

2) Speakers and Tubes: This kind of goes along with the amp thing. Speakers and tubes affect the amp, which affects your tone. Popular tubes include JJ Tubes, Electro Harmonix and Groove Tubes. 6L6 power tubes tend be a better fit for clean tones than EL84 or EL34s. For speakers, try Celestion, Jensen, Tone Tubby and Eminence. I personally use a 12″ Celestion Alnico Blue for my small amp.

3) Strings and Cables: Yes, the type of strings and cables you use for your guitar affects your tone. Use a good quality set of both. For strings, there’s Ernie Ball, D’addario, and Dean Markley. I personally use Elixir Strings because of their longevity and smoothness. For cables, there’s a bunch: Pro Co, Monster cable, Planet Waves, but personally I just use Fender cables.

4) Guitar: yes, obviously the guitar affects the tone. I prefer and have always used Fender Stratocasters for their versatility and gorgeous clean tone compared to any other type of guitar, but for clean tone, good calls can also be made for Fender telecasters, Epiphone Casinos, Gibson ES-335, Gretsch Country Gentlemens, etc. I usually prefer nitrocellulose finished guitars as opposed to polyurethane finished because the nitro lacquer is a thinner layer of paint, which gives the guitar more room to resonate, and therefore more tone. However, most new guitars these days will be poly finished, and the only way to get nitro finished would be to get a vintage guitar or a vintage reissue. I personally have a 1960s reissue American Stratocaster in sunburst with nitro paint and it plays wonderfully.

5) Pickups: Yes, guitar pickups affect tone. There is evidence that handwound pickups sound better than machine wound pickups because of their uneven wind and dispersed frequencies. Therefore, try to get handwound pickups, even if they are expensive. The big three pickup makers include Dimarzio, Seymour Duncan and of course, Fender. More modern pickups are Lace and EMG. However if you want handwound pickups, try Lindy Fralin, Lollar, Bareknuckle, Rio grande, and a whole bunch more of small pickups businesses.
Generally, Alnico magnets sound better than ceramic (Alnico II, III and V are most used for single coils). Either formvar or enamel wire is used for vintage pickups, and make sure they are staggered for your neck (ie. vintage radius 7.25″ should have vintage stagger and modern necks should have flat stagger pickups).
I personally use a set of custom wound Rumpel pickups, and they have been amazing.

6) Pedals: What I’m going to say is… try not to use too many pedals. Too many interferes with tone purity. If you are going to use alot of pedals, make sure they are true bypass so that they don’t color your tone when they are bypassed, and use an equalizer or compressor to smooth out your dynamics. A side note that analog effects tend to be warmer sounding than digital effects, but that’s just personal preference for me. It’s almost like a vinyl record vs a CD player. They sound similar, but the analog sound is created more naturally. You have many different effects makers today. Digitech, Boss, Dunlop, and most large gear manufacturers such as Ibanez, Vox, Marshall, Fender, and even Seymour Duncan. I personally use BBE and Tonerider (who also makes a great set of pickups), because they are cheaper, and are good quality. But if you really want the best tone, there are boutique effects makers such as Keeley, Fulltone, Teese if you really want to spend more money to get the best.

7) You: Most importantly, tone is in your fingers, so you can’t really improve this one with money. You’ll have to practice and get better, make sure notes have vibrato, smoother licks have legato, and quicker licks have alternate picking and staccato, and so forth. You can visit Ultimate guitar if you want tabs or tutorials.

And that’s it! I’ve been working on my tone for a while now, and I think it’s getting better and better. I will continue to post more videos as soon as I get some more songs recorded. I’m also thinking about getting a good microphone, studio monitors and mixer so I can do a professional video recording, but that will have to wait until my financial situation clears up.

Achieving the John Mayer sound

John Mayer is a very influential guitarist currently, and many people compare him to the likes of Hendrix and SRV so I will do a brief article on his sound too, being a big fan of his. John Mayer is unique in that unlike Hendrix or SRV, he achieved mainstream success based on his acoustic playing and his voice. Later he transitioned over to more of an electric guitar sound.

The Sound

John Mayer uses several different guitars. I’ve seen him use a Gibson SG, an ES-335, but most of the time he plays a Fender Stratocaster. He owns several, the ones that are consistent recently seem to be his Black One and his Hendrix Monterey Strat. His early signature guitar had pickups that had scooped midrange but his Black One seems to have lower output pickups (I assume 5.0k-6.0k) which gets him more of the tone from his amp. His acoustic guitar is a Martin and he has a signature guitar with that company as well.

John Mayer plays with boutique amps. He uses Victoria Amps, Dumbles and Two-Rocks.

The Effects

John Mayer uses many effects, including many vintage and boutique ones. He often uses Keeley modified Tubescreamers, and Blues Drivers, Keeley Katana as well as Teese wahs and Fulltone effects.

Playing Like John Mayer

John Mayer has a unique style that can only be described as a cross between Eric Clapton and SRV. It’s important to have the rhythm down in his songs. In songs such as Stop this train and Neon, he often uses his thumb to lay down a thump-thump beat while he plays the melody. The beat of his thumb on the low E string keeps the rhythm.
Other songs such as St Patricks Day uses a lot of chords that is difficult to change to, and I’m sure John Mayer himself simplifies some of them live. It’s important to practice these songs, especially when singing at the same time.

On his electric songs, his melodic songs require a soft Clapton-esque approach while his blues tunes like Who did you think I was plays almost like a SRV blues tune. It’s obvious that Mayer is very influenced by SRV; when he plays songs live like Gravity, he stretches the solo out SRV-style. Overall though, It’s more important to be precise than to be a showman – John Mayer rarely misses a note.

Equipment Links

Fender John Mayer Signature Stratocaster
Martin JM Acoustic
Two-Rock Mayer Signature
Victoria 50212
Fulltone FullDrive 2
Teese Wah RMC1
Boss DD-5
Keeley Katana

Achieving the Stevie Ray Vaughan sound

Stevie Ray Vaughan was a very influential electric blues guitarist who was considered by many to be one of the greatest before he tragically perishes in a 1990 helicopter crash. While it is impossible to duplicate Stevie’s tone (as you would need his hands), the following guide can help.

The Sound

Stevie Ray Vaughan used one guitar mainly and this article deals with his Number One guitar. It was a 1962 worn down sunburst Stratocaster that had 1959 pickups in it. This would give him a very unique tone. His pickups were stock 1959 pickups, not overwound as mistakenly believed, the late 1950s single coil tone is often achieved with low resistance, mostly in the 5.8k-6.8k range, Alnico V magnets, and 42 gauge formvar wire.

Stevie played with Fenders, and he overdrives the amp quite hard, which is what produces his Texas tone. He also uses very thick guitar strings; he played with string gauge 13, and hit them hard. Like Hendrix, he tuned down a half step to Eb for most of his songs.

The Effects

SRV‘s most famous effect is the Tubescreamer, and he often used two in live settings. He also used a Vox wah and occasionally, a Leslie rotating speaker. The most important part of SRV’s tone is the way he plays rather than the effects.

Playing Like SRV

While it is hard to duplicate SRV‘s playing, he often utilizes he pentatonic blues scale, and has alot of certain licks he frequently uses in many positions. The opening to Pride and Joy shows the normal blues shuffle in E that he uses frequently. This same shuffle is used double time in Rude Mood, which is a hard song to master rhythm wise. The Rhythm has to be properly understood to get closer to his sound. He also displays lots of use of Hendrix style barre chords and double stops for his softer tunes like Lenny and Riviera Paradise. Perhaps his ultimate blues piece is Texas Flood, a slow blues piece in G in which SRV pulls out all the stops. Note the following video in which he plays this piece, he goes from slow to almost-shredding speeds quickly, and also does this move where he turns around and simultaneously undoes his guitar strap and reattaches it behind him so that he plays behind his back. It takes several tries to do this well but it’s a good show-piece.

Equipment Links

Fender ’59 Bassman
Fender ’65 Twin Reverb
Fender 1959 Stratocaster Relic
Fender SRV Signature Stratocaster
Fender 57/62 Pickups
Ibanez TS808 Tubescreamer
Maxon OD9 Overdrive
Vox V847 Wah